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No one ever plans to end up as a dancer on Bourbon Street. It’s an employment choice born of pure desperation. I worked at a unisex joint called Sweet Mama’s. After only two weeks on the job, I despised every minute of my interminable shifts. I lurched around the club in stilettos like an awkward stork, as songs like “Strokin’” and “My Prerogative” pounded in the background.
To me, both language and football can give sensory pleasure to the ears and eyes respectively. When I hear a well-composed sentence, it evokes an appreciation of something far beyond the successful exchange of information. Equally, for an impartial observer in football, a crisply struck shot finding the top corner is of far more sensory merit than a deflected, scrappy effort sliding its way into the net, though there is no difference in terms of reward.
The affair happened more than ten years ago. We worked together on a project with four other colleagues. She was married and had two small children. During the holidays, she texted me several times saying that she was thinking about me. The first two or three messages, I ignored. I erased them. I seriously thought she was a no-go. The fourth time, I wrote back: “You’re married.” I thought that would end it….
It used to be a very simple task to purchase a light bulb. Check the wattage on the dead bulb at home, go to the store and pick a similar one from the display shelf, take it home, remove the burned-out bulb from its socket, replace it with the new one, wrap the old bulb in some newspaper, and toss it in the trash.
Viewing Renaissance art can be numbing. Let’s be honest, it can be boring. To some, it might even seem irrelevant. We’ve all taken some art history classes and/or sat through tiresome exams where we’ve crammed so many dates and names and mediums into our heads we’ve vomited oil on canvas for eight months straight.
It might sound strange for a non-native speaker, especially for an English one, that in addition to the common classifications we all use to distinguish substantives such as singular/plural or concrete/abstract, the Spanish language has one particularly problematic noun class that involves genre.