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To commemorate the centennial of Degas’s death (1917), many books were published and shows were held. In London, The National Gallery show “Drawn in Colour” was organised in conjunction with it and with the marvellous opportunity to include works from the Burrell collection. I visited together with Dr. Penny Florence (Slade) and as we both come from a different background, our conversation in front of the paintings spurred new insights and encouraged me to write about Degas’s work, the way I see it.
And so I often find myself wandering through a hollow house alone, as he adventures to the tool sheds in the far corner of a backyard. I sift through the trinkets, the decorated knives, commemorative postcards, and wonder – who held these before me? I find a binder full to bursting with buttons of all types and sizes and colors. What hands carefully sewed each into place?
Lesson learned. When dealing with the Island Greeks, they’re lovely people, but they’ll take you to the cleaners given half a chance. This deflated our egos for a few nanoseconds. We saw a family out back refilling plastic water bottles from a well. If the silly tourists want bottled water, we’ll sell them bottled water. This was the Greek idea of keeping the tourists happy.
I mean, even the first time round, who the actual fuck was Alice? And who cared about living next door to her? I’m not very good at either listening to or remembering pop lyrics, but even without knowing any of the rest of them, I understood that it was a song about the girl next door. But rock stars didn’t want the girl next door, did they? They got on planes and travelled, got off, collected all that gear, got into vans and disappeared up the road, in search of more glamorous girls.
In an hour, I will go across the street to Subway for a six-inch vegetarian sandwich. I’ve heard the buns are made from the same chemicals as yoga mats. However, this could be an urban legend. I’m hungry and inclined to take chances with my health. Also, I’m an optimist. There is no way a pessimist could be out on this highway.
Since the last entry, the boys of UE Sants have gone through something of a revelatory experience. What I mean by this is that they have won, twice in fact, including a comeback 4-3 victory against the adorably monikered Poble Mafumet, a performance reminiscent of the 2005 Champion’s League Final, or so said some throaty drunk bloke.
Summer’s over and like it or loath it, football is back. Green and white hoops are the colours of debatable success, conjuring up images of Sporting Lisbon, Real Betis, Celtic, maybe even Yeovil Town and as UE Sants graced the packed ‘Energia’ stadium, clad in the virescent and wan kits that defined last year’s halcyon days in Spain’s fifth tear ‘Primera Catalana’.
No one ever plans to end up as a dancer on Bourbon Street. It’s an employment choice born of pure desperation. I worked at a unisex joint called Sweet Mama’s. After only two weeks on the job, I despised every minute of my interminable shifts. I lurched around the club in stilettos like an awkward stork, as songs like “Strokin’” and “My Prerogative” pounded in the background.
For ten hours on a few Sundays I had the chance to sit and talk with Louis Tindle Dees. I normally found him enthralled in a thick book about Winston Churchill, watching the latest news, or working an intricate puzzle with pieces too numerous for me to even attempt at age 29. He had just turned 92 years old.
Viewing Renaissance art can be numbing. Let’s be honest, it can be boring. To some, it might even seem irrelevant. We’ve all taken some art history classes and/or sat through tiresome exams where we’ve crammed so many dates and names and mediums into our heads we’ve vomited oil on canvas for eight months straight.
Writer and activist, Joseph Meehan, reports from the front line of the Freddie Gray Jr. protests in Oakland, CA.