
For a moment, I actually consider telling him that it’s bad form to dress up too much for a part. Then I imagine the horror on the faces of the auditioning panel as they stare at this fucked-up embodiment of a child’s nightmare. Goulée takes my hand and pulls me close to him. There’s a reek off him of booze and Tiger Balm. “Hey,” he says. “Do you know where I can find some Asian prostitutes?”

I bit my lip and concentrated as hard as I could at the grainy image on the TV screen. The brief vignette of femme désnudé from the 11 o’clock freeview on the tarot channel. Trying hard to neither concentrate on the phone number nor the colloquially lewd offers at the side of the tiny image, I worked my wrist into overdrive and finally came, it had taken over twenty minutes, fuck sake.

For ten hours on a few Sundays I had the chance to sit and talk with Louis Tindle Dees. I normally found him enthralled in a thick book about Winston Churchill, watching the latest news, or working an intricate puzzle with pieces too numerous for me to even attempt at age 29. He had just turned 92 years old.

Beyond Work documents humans at work using words and reportage photography, with no judgement or glorification. It’s an attempt at unearthing the social, cultural and functional world of work that’s invisible in everyday life. In this series, Curtis James interviews John Prior, a man who dresses up as Santa Claus at Churchill Shopping Centre in Brighton, UK.

The affair happened more than ten years ago. We worked together on a project with four other colleagues. She was married and had two small children. During the holidays, she texted me several times saying that she was thinking about me. The first two or three messages, I ignored. I erased them. I seriously thought she was a no-go. The fourth time, I wrote back: “You’re married.” I thought that would end it….

Beyond Work documents humans at work using words and reportage photography, with no judgement or glorification. It’s an attempt at unearthing the social, cultural and functional world of work that’s invisible in everyday life. In this series, Curtis James interviews Andrew James, a man who has been working as an Indoor Postal worker for the past 37 years.

It used to be a very simple task to purchase a light bulb. Check the wattage on the dead bulb at home, go to the store and pick a similar one from the display shelf, take it home, remove the burned-out bulb from its socket, replace it with the new one, wrap the old bulb in some newspaper, and toss it in the trash.

Beyond Work documents humans at work using words and reportage photography, with no judgement or glorification. It’s an attempt at unearthing the social, cultural and functional world of work that’s invisible in everyday life. In this series, Curtis James interviews Norman Macaulay, a man who has been working as a refuse collector for the past 27 years.

Viewing Renaissance art can be numbing. Let’s be honest, it can be boring. To some, it might even seem irrelevant. We’ve all taken some art history classes and/or sat through tiresome exams where we’ve crammed so many dates and names and mediums into our heads we’ve vomited oil on canvas for eight months straight.

The relevance of language is lost in the world of TEFL, stumbling as we do through archaic grammar and pointless structures that most English speakers don’t know let alone use. It is a language that is not in anyway applicable to the reality of daily life and, consequently, defeats the purpose of a language.

Recovering from schizoaffective disorder was a moment to moment battle that I fought every day. There were many losses and also a number of victories as I struggled through the trauma, social dysfunction, OCD, mania, bipolar disorder, schizophrenia symptoms, and everything else that was hampering me.