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Do you remember Fridays? The indescribable feeling of utter joy that signified that thankfully school was over for another two days. The misery of sitting in a classroom against your will was to be alleviated and replaced with the respite of resentment from parents who didn’t know what to do with you. Yes, Friday was a fine time. Friday represented hope a brief, fleeting window in which anything was possible and the misery of school, with its press-gang style education was exposed for what it was, finite.
I had shat literally all I could possibly shit, but somewhere, deep down, I knew I would need to shit again imminently. Such are the joys of food poisoning, or in this case some dodgy Albanian tap water. In fairness, the foreign office advice had been fairly clear cut.
I bit my lip and concentrated as hard as I could at the grainy image on the TV screen. The brief vignette of femme désnudé from the 11 o’clock freeview on the tarot channel. Trying hard to neither concentrate on the phone number nor the colloquially lewd offers at the side of the tiny image, I worked my wrist into overdrive and finally came, it had taken over twenty minutes, fuck sake.
Beyond Work documents humans at work using words and reportage photography, with no judgement or glorification. It’s an attempt at unearthing the social, cultural and functional world of work that’s invisible in everyday life. In this series, Curtis James interviews Norman Macaulay, a man who has been working as a refuse collector for the past 27 years.
It might sound strange for a non-native speaker, especially for an English one, that in addition to the common classifications we all use to distinguish substantives such as singular/plural or concrete/abstract, the Spanish language has one particularly problematic noun class that involves genre.