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No one ever plans to end up as a dancer on Bourbon Street. It’s an employment choice born of pure desperation. I worked at a unisex joint called Sweet Mama’s. After only two weeks on the job, I despised every minute of my interminable shifts. I lurched around the club in stilettos like an awkward stork, as songs like “Strokin’” and “My Prerogative” pounded in the background.
Last week David pulled his pants down in the class and farted in another boy’s face. David farts all the time. He loves the smell and sound of his own farts as do the rest of the class, chortling away when he breaks wind for the tenth time in the hour. David is also a racist, making Chinese eyes or calling the Latin-Americans dirty monkeys. David is 13 years old. There’s not much of a positive spin you can put on that ergo the utter bollocks above.
For a moment, I actually consider telling him that it’s bad form to dress up too much for a part. Then I imagine the horror on the faces of the auditioning panel as they stare at this fucked-up embodiment of a child’s nightmare. Goulée takes my hand and pulls me close to him. There’s a reek off him of booze and Tiger Balm. “Hey,” he says. “Do you know where I can find some Asian prostitutes?”
Beyond Work documents humans at work using words and reportage photography, with no judgement or glorification. It’s an attempt at unearthing the social, cultural and functional world of work that’s invisible in everyday life. In this series, Curtis James interviews Norman Macaulay, a man who has been working as a refuse collector for the past 27 years.