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One of the joys of this level of football, a joy that detracts somewhat from the actual football itself, is the rapture of proximity. Whatever trials and tribulations the working week throws at you, however painful the boredom of retirement or the frustration of youth, all the rage that you carry can be readily directed at an arbitrary arbiter, or whoever is playing on the wing next to the only stand.
Summer’s over and like it or loath it, football is back. Green and white hoops are the colours of debatable success, conjuring up images of Sporting Lisbon, Real Betis, Celtic, maybe even Yeovil Town and as UE Sants graced the packed ‘Energia’ stadium, clad in the virescent and wan kits that defined last year’s halcyon days in Spain’s fifth tear ‘Primera Catalana’.
For some reason, my first instinct was to assume that Derick Johnson was a figment of Nick’s imagination or a sort of creative in-joke between some of the players. The name, I observed, sounded like a character from Mad Men. I imagined a dapper fellow in his mid-thirties turning up to play, with a short glass of scotch on the rocks in one hand and a cigarette in the other.
To me, both language and football can give sensory pleasure to the ears and eyes respectively. When I hear a well-composed sentence, it evokes an appreciation of something far beyond the successful exchange of information. Equally, for an impartial observer in football, a crisply struck shot finding the top corner is of far more sensory merit than a deflected, scrappy effort sliding its way into the net, though there is no difference in terms of reward.