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I finish my £8.30 and head for where I used to live. Why? I’ve started writing now, I might as well go. It’s an ex-council block. East London thick brick. Rubicon cans on the stairwell, faulty lifts. A kid called Abdi that tries to sell you weed every time you see him, even though you tell him that you don’t smoke weed. It was him that I thought I saw walking past the pub. He’s got a dog. He told me that it is was rare for a Bengali to have a dog. I wonder if he’s still here?
Nanny Pam and me are watching This Morning; there’s a woman on talking about how she’s been cheating on her husband with a ghost. The TV presenter asks if she has ever been intimate with the ghost. Nanny Pam stares at the TV while her Rich Tea biscuit breaks off into her coffee.
For some reason, my first instinct was to assume that Derick Johnson was a figment of Nick’s imagination or a sort of creative in-joke between some of the players. The name, I observed, sounded like a character from Mad Men. I imagined a dapper fellow in his mid-thirties turning up to play, with a short glass of scotch on the rocks in one hand and a cigarette in the other.
Beyond Work documents humans at work using words and reportage photography, with no judgement or glorification. It’s an attempt at unearthing the social, cultural and functional world of work that’s invisible in everyday life. In this series, Curtis James interviews Norman Macaulay, a man who has been working as a refuse collector for the past 27 years.