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In a new series of interviews and reviews, the editorial team at Talking Soup kick off a new series of podcasts. In this pilot episode our digital editor, John Smith, takes a look at the issues surrounding students in a time of the Covid-19 pandemic. Should they stay or should they go? If you want to take part in the podcast, then please get in touch.
‘To be a Negro in this country and to be relatively conscious is to be in a state of rage almost, almost all of the time — and in one’s work. And part of the rage is this: It isn’t only what is happening to you. But it’s what’s happening all around you and all of the time in the face of the most extraordinary and criminal indifference, indifference of most white people in this country, and their ignorance’ – James Baldwin.
I have given up so many times, thought I had hit absolute rock bottom, but after this morning I want only to cry, just cry, Lord please let me just cry. I want that great, cleansing, belly-shaking rain of tears that I had wished would come for depressed Cassie, but I can’t. I can’t cry. I try to bring something up from deep in my chest but nothing comes. I realize now that ghosts have no bodily fluids. Tears, blood, semen, sweat; these are the province of the living.
The inside of a new 80.000 ton bulk carrier was to put it mildly, a very religious experience. To go from the coffins of Castle Dracula, in driving snow, with a temperature hitting minus 25 Degrees, into a vast silent cathedral-like environment, had a profound effect on me. It was a place of bright bright lights and dark dark places. I suppose, with the scaffolding and the hanging lights it could also have been mistaken for some enormous Egyptian tomb excavation.
To commemorate the centennial of Degas’s death (1917), many books were published and shows were held. In London, The National Gallery show “Drawn in Colour” was organised in conjunction with it and with the marvellous opportunity to include works from the Burrell collection. I visited together with Dr. Penny Florence (Slade) and as we both come from a different background, our conversation in front of the paintings spurred new insights and encouraged me to write about Degas’s work, the way I see it.
And so I often find myself wandering through a hollow house alone, as he adventures to the tool sheds in the far corner of a backyard. I sift through the trinkets, the decorated knives, commemorative postcards, and wonder – who held these before me? I find a binder full to bursting with buttons of all types and sizes and colors. What hands carefully sewed each into place?
In an hour, I will go across the street to Subway for a six-inch vegetarian sandwich. I’ve heard the buns are made from the same chemicals as yoga mats. However, this could be an urban legend. I’m hungry and inclined to take chances with my health. Also, I’m an optimist. There is no way a pessimist could be out on this highway.
Viewing Renaissance art can be numbing. Let’s be honest, it can be boring. To some, it might even seem irrelevant. We’ve all taken some art history classes and/or sat through tiresome exams where we’ve crammed so many dates and names and mediums into our heads we’ve vomited oil on canvas for eight months straight.