I mean, even the first time round, who the actual fuck was Alice? And who cared about living next door to her? I’m not very good at either listening to or remembering pop lyrics, but even without knowing any of the rest of them, I understood that it was a song about the girl next door. But rock stars didn’t want the girl next door, did they? They got on planes and travelled, got off, collected all that gear, got into vans and disappeared up the road, in search of more glamorous girls.
But the market wasn’t just a place to buy and sell, it was a meeting place for grownups, filled with chittering and chattering. It was the weekly news update in a pre-Facebook era; the who married who, and the who got who pregnant; and the biggest scandal on everybody’s lips, was the waiting times at the doctor’s surgery. I loved seeing my wee Ma’, surrounded by friends, super animated and smiling; this, I guess, was how she nourished her mind.
Down on terra firma, it’s my turn to pass through the weathered red, flaking door and into the gloom. The entrance is a small and, currently crowded, five metre square. Despite the doors being open, there is a musty, damp smell which overwhelms the huge spray of carnations, roses and lilies on top of the near empty mahogany bookcase in the corner. I am handed the white order of service by a faceless man and then it’s my turn to whisper clichéd condolences to two men, one of whom I know very well, the other I have never met.
Twenty-nine years ago I was an off-off Broadway playwright clerking in a chi-chi toy store for grown ups on the Upper West Side when in walks Robin Williams. I was speechless. He smiled and nodded at me before exploring the various aisles. I knew he was in rehearsal at Lincoln Center for Samuel Beckett’s play, Waiting For Godot, so as I sneaked peaks at his inspection of the store, I tried to think of what I would say to him should he approach my register.
Folk music, formerly the prerogative of ale-swilling beardies, is now cool, a bit like smashed avocado and Swedish backpacks. What happened to the old scene? Where are the pork scratchings? What happened to ‘Dirty Old Town’ gurgled into a pint glass for single figure audiences?
After each practice, I would get out that Glovoleum and tenderly apply it to the mitt. Somewhere in my heart, I knew I was out of step, that this love for playing baseball would have to stop at some point. All us girls were approaching adolescence. The social pressures to be girly and adapt to the cultural norms were overwhelming.
The minute the lone young gunman, who hated himself, used his mother’s revamped gun against her, he entered a state of utter automatism. He unconsciously, projected his despair upon the gun and identified with it totally just like he had with Enos, the conditioned chimp. He had, in turn, been unconsciously conditioned by his mother who, unrealistically, wanted to educate him first at home, then, in a normal school. They both suffered from excessive guilt.
Nanny Pam and me are watching This Morning; there’s a woman on talking about how she’s been cheating on her husband with a ghost. The TV presenter asks if she has ever been intimate with the ghost. Nanny Pam stares at the TV while her Rich Tea biscuit breaks off into her coffee.
My old company were the masters of web hosting hyperbole. One of our most famous internet magazine ads listed everything as free, except the price. Free hosting, Free web space, free domain name, free email address, all of which begged the question; if everything was free, just exactly what was the punters paying for?
As the first part of our ‘Spotlight’ series we focus on individuals trying to make a name for themselves in the creative industries. Sarah A. Wessendorf is a German actress and artist currently based in Berlin. She has caught all the right eyes with her talents ranging from painting to dance and acting. Sarah sat down with us to talk about her career in acting and her latest project the film “When kingfisher catch fire“.
Someone is winning somewhere, it’s just we never go to those games and better off we are for it too. Watching Sants is like dealing with a fine wine, a game of ultimate patience and faith that may not lead to any positive outcome. When, and if, three points ever present themselves with myself as a witness the joy will be ten-fold. You don’t get this at the Camp Nou, by the way.
In an hour, I will go across the street to Subway for a six-inch vegetarian sandwich. I’ve heard the buns are made from the same chemicals as yoga mats. However, this could be an urban legend. I’m hungry and inclined to take chances with my health. Also, I’m an optimist. There is no way a pessimist could be out on this highway.
I knew I was an excellent candidate, as they cheerfully say in medical circles, for sudden death. Most everyone on both sides of the generation before mine had suddenly dropped dead before the age of 60. Some had lingered due to repetitive strokes. Fortunately, I had passed the age threshold, but I wondered how much longer I could defy the odds.
Since the last entry, the boys of UE Sants have gone through something of a revelatory experience. What I mean by this is that they have won, twice in fact, including a comeback 4-3 victory against the adorably monikered Poble Mafumet, a performance reminiscent of the 2005 Champion’s League Final, or so said some throaty drunk bloke.
One of the joys of this level of football, a joy that detracts somewhat from the actual football itself, is the rapture of proximity. Whatever trials and tribulations the working week throws at you, however painful the boredom of retirement or the frustration of youth, all the rage that you carry can be readily directed at an arbitrary arbiter, or whoever is playing on the wing next to the only stand.
Summer’s over and like it or loath it, football is back. Green and white hoops are the colours of debatable success, conjuring up images of Sporting Lisbon, Real Betis, Celtic, maybe even Yeovil Town and as UE Sants graced the packed ‘Energia’ stadium, clad in the virescent and wan kits that defined last year’s halcyon days in Spain’s fifth tear ‘Primera Catalana’.
The basic truth of long-distance public transport rest stops is that although you get the stop aspect, no-one rests. This is due to a potent mix of acute social awkwardness, muzak and bad colour schemes. An empty bladder, stretched legs and popped-up blood sugar at a premium price is the best combo you can hope for.
It’s a typical Saturday night at the Java Jive. The bar is a Tacoma institution, a one-time home to two pet monkeys appropriately named Java and Jive. The monkeys are dead now, and so is your marriage. You’re singing karaoke because you’re trying to forget everything. You’re a lonely 41-year old single mom with two kids and a decaying house on the north end of town, and you know what it feels like to have your thrills vanish. So you’re singing your lungs out, and some guy bites your foot.
Senior year my mother did two months for larceny. That August she tried walking out with two carts full of groceries. I lived noir. I managed a story that became my first published in the school magazine. She was still in prison that October when my birthday rolled around. I woke up at three-thirty in the morning and read James Thompson’s Snow Angels until I left for the bus.
There are four Zadusnice in a year, one for every season: summer, autumn, winter and spring, and they always fall on Saturday. Saturday is the day of week devoted to the dead in Serbian culture. And Serbs are funny people. They are outgoing and talkative, and they love to socialize with one another, laugh and make jokes anywhere, even in the cemetery.
I have killed her in my head more times than I can count. I have attended her funeral. I have wept on her grave. I have cried alone in a room littered with pill bottles and years of filth because I wasn’t there to save her. Every unknown number from Connecticut is her final plea for forgiveness before she swallows the pills or slices the blade across pale blue-veined wrists. I am a bad son. I let her do this. It is all my fault.